Rooted and Revolutionary Keyboardist/Composer/Beatmaker
GEORGIA ANNE MULDROW
to Perform at August Wilson African-American Cultural Center’s Uhuru Jazz Sessions on Thursday, June 22, 7:00 pm
Tickets are $28 and Available at www.awaacc.org
On her recordings, Muldrow crosses stylistic boundaries as easily as one walks across the street, as evidenced by her LP, Early, which yielded the moving, mid-tempo radio-friendly selections “Sunset” and “Run Away,” Kings Ballad, which contains the anthemic instrumental “Chocolate Reign,” and her Grammy-nominated 2018 release Overload, which features “Blam,” her defiant ode to Black self-defense. Her latest project is Jyoti III, her third album in a series featuring mostly avant-garde, electronica-oriented tracks (Jyoti is a pseudonym Muldrow uses).
The source of Muldrow’s artistry is ancestral. She was born in 1983 to guitarist Ronald Muldrow, who played with saxophonist Eddie Harris, and her mother Rickie Byars sang with Sir Roland Hanna’s New York Jazz Quartet, Pharoah Sanders and in the local church where her daughter also honed her piano and vocal skills. Muldrow was taught West African drumming by the famed percussionist masters Leon “Ndugu” Chancler and Babatunde Olatunji. She started performing professionally at 15, attended The New School in New York City where she met keyboardist Robert Glasper and singer Bilal, and moved back to L.A. after 9/11.
Muldrow has collaborated with many musicians including producer Adrian Younge, trumpeter Keyon Harrold, rapper Mos Def, and vocalists Brittany Howard and Erykah Badu. In 2017, she performed with pianist/composer Jason Moran, the Kennedy Center’s artistic director for jazz, in a concert that showcased their reimagining of jazz bassist/composer Charles Mingus’ music, which was broadcast on NPR’s Jazz Night in America.
What Muldrow brings to the Uhuru Jazz Sessions is a complete, artistic and cultural commitment to her people. “Black music is my superpower. It’s the music of my ancestors,” Muldrow says in The Guardian newspaper. “It’s my way of showing love, paying homage, keeping sounds alive that sometimes people think are dead. It’s reviving dead forms of music, and [honoring] them. That’s the functionality of art.”
More information and tickets, which are $28, are available at www.awaacc.org.
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